WWE Ronda Rousey will look to get revenge on Alexa Bliss at SummerSlam, after Bliss interrupted Rousey’s first ever title match at Money in the Bank. The camera cut to Rousey in the locker room during the SummerSlam preshow, showing how focused she was and just generally being menacing.
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However, while the idea was to show how intimidating she was, it was her eye makeup that had the biggest impact on viewers as her extreme eye shadow, which is a departure from her typical in-ring look, immediately brought out the Twitter jokes.
. With trade rumors and other teams unloading their superstars to prepare for free agency, the Golden State Warriors are on the lookout for their next addition to what is shaping up to be the equivalent of Death Row Records in the ’90s. Of the New Orleans Pelicans is one that Golden State has a good chance of landing in the offseason, as well as of the New York Knicks, who could find his way to “The Town” before the trade deadline. So we decided to look at what other superstars have the chance of joining Suge Knight, Tupac Shakur, Snoop Dogg and Dr. I mean Stephen Curry, Kevin Durant, Klay Thompson and Draymond Green. I will let you all fight over who is who. Could Happen Anthony Davis Enes Kanter Kyle O’Quinn Should Happen Erik Killmonger as played by Michael B.
Jordan The trailer alone looks like he can put numbers on the board. I mean, would you defend him? Marvel Studios Tupac Hologram Trying to get the assist would suck, but the introductions would be on point. Dave Chappelle as Prince That jumper would fit in perfectly with the Splash Brothers. Comedy Central Riley Freeman I mean, a better question is “Why not?” Malcolm X The height alone will allow him to block your shots “By Any Means Necessary.” Getty Images Ta-Nehisi Coates We don’t have a reason.
Just thought it would throw you off too. Paul Marotta/Getty Images Shaft He is one bad/SHUT YOUR MOUTH!/I was just going to say badgering defender. Kisch/Separate Cinema Archive/Getty Images Definitely Will not Happen LeBron James NEW YORK, NY – JANUARY 28: Recording artist Kendrick Lamar accepts award for Best Rap Album onstage during the 60th Annual GRAMMY Awards at Madison Square Garden on January 28, 2018 in New York City. (Photo by Jeff Kravitz/FilmMagic).
There’s much so much take away from the 60th Annual Grammy Awards. Here are the most obvious elephants in the room. Kendrick Lamar’s run continues. We said it before, but has no end in sight. He started Sunday night’s Grammys off via one of the best (Dave Chapelle) intros in recent memory, brought out U2, and left Madison Square Garden last night with five Grammys — including rap album of the year and best rap/sung performance with Rihanna for their “Loyalty.” While it seems DAMN. The album has bumped Lamar up from rap superstar to Lamar the hip-hop pop culture kingpin, he once again lost out in the album of the year category — the third time that’s happened.
And with a catalog that includes generation-defining records such as good kid, m.A.A.d city, To Pimp a Butterfly and DAMN., you’re left to wonder what, if anything, Compton, California’s, son has to do to, especially considering the massive goodwill DAMN. Has produced. But with a nationwide tour on the horizon and the Black Panther soundtrack, serving as the Black Hippy album we never got, at least the start of 2018 is looking quite massive for hip-hop’s young legend.
Jay-Z and SZA shut out. They entered the night with a total of 13 nominations. And maybe that was a sign of bad luck off the rip. Both and SZA left Madison Square Garden without any hardware. Before the show, with music’s biggest night.
His groundbreaking 4:44 though wasn’t recognized in any category. Likewise, SZA, the most nominated woman of last night’s festivities, left empty-handed. It was a euphoric year for the first lady of TDE. Fueled by records such as “Love Galore” featuring Travis Scott, and “The Weekend,” her debut project, Ctrl is a commercial and critical success. SZA did, however, give a rousing performance of her standout “Broken Clocks,” seemed to highlight a disappointing night. Remember last year, when Rihanna also failed to receive a Grammy after dropping And: Wildly “Despacito,” Khalid and Cardi B were shut out, too. A weird night for music’s biggest night.
OAKLAND, California – After a painful chance introduction, Joseph Franzia was all smiles while holding a signed pair of Kevin Durant sneakers near the Golden State Warriors’ locker room late Saturday night while waiting for the very apologetic NBA All-Star. Durant punched a basketball high into the air during his shooting workout before a 109-105 win over the Boston Celtics on Saturday night. The wayward basketball flew into the stands behind the visiting bench and hit an unsuspecting, glasses-wearing Franzia in the nose while he was sitting next to his wife, Marilyn. Franzia suffered a cut on his face. Noticing a commotion where the ball landed, Durant immediately left the floor and ran to the stands to check on Franzia. “I punched the ball up in the air pregame and it kind of hit him on his head a little bit,” Durant said. “We talked it out.
I went there right after it happened and he said, ‘You better win the damn game.’ And I knew he was all right after that.” Marilyn Franzia had to tell her dazed husband to look up to see that Durant was there to check on him after he got hit with the ball. Arena personnel, medical personnel and police came to the scene to make sure Franzia was OK. Durant apologized profusely and had his security guard check in with Franzia later. The Vietnam veteran thought he affected Durant more than vice versa. Durant entered the Celtics game averaging 26 points, but finished with 20 points in a victory that included a 49-point performance from his teammate Stephen Curry. It surprised me. It hit on me.
I think I threw off his game. That is why I felt bad about it,” said Franzia, who has been a Warriors fan since the 1970s. After the game, Durant’s security guard brought Franzia and his wife to a private hallway near the Warriors’ locker room and gave him pair of signed Durant shoes. Durant would later exchange pleasantries with the Franzias before he talked to the media. “I got a chance to meet him and his wife.
Great people. Glad he enjoyed the game and glad he is all right,” Durant said. Franzia is the president of Classic Wines of California. In 1973, Joseph, Fred and John Franzia founded the family-owned Bronco Wine Company, which sells wines in more than 90 countries worldwide and the United States. “I invited him to drink some wine with me,” Joseph Franzia said. Said Marilyn Franzia: “And the wine is great.” NEW YORK, NY – JANUARY 25: Black Thought backstage at Roots Jam Sessions 2018 Photo by Johnny Nunez/WireImage., the legendary rapper and front man for the equally legendary, takes a break from discussing his hometown Philadelphia Eagles.
Like most people in a Gramercy Theater VIP section during the wee hours, the Super Bowl is a hot topic. But Black Thought soon starts talking about music’s Super Bowl — the Grammys, in particular, music’s role in a documenting this period of life. It’s a conversation that has been a constant theme of Grammy weekend — realizing the moment and embracing generational responsibility.
“Twenty years from now it would be dope to be able to say the arts, and not only music, but theater and visual art and literature had a renaissance,” Black Thought said as the final performances of The Roots Jam Sessions rage on a floor above. “I’d love to bring a new awareness to every medium. I liken these days to the Harlem Renaissance — that sort of artistic revolution.” For fellow Roots brethren, multi-instrumentalist, the magnitude of the moment for music, for him, has roots (pun intended) in the troubled yet transformative 1960s.
That era turned Motown into a musical religion and made names such as James Brown, Otis Redding and synonymous and vital components of the black American experience. “The music that gave you hope.
The music that inspired you to fight these battles. I’m hoping the same thing happens in this era,” Poyser said. “We know what’s going on with you-know-who and everything else that’s going on. We need music to feed our souls.” Hours earlier, at the red carpet day party thrown by the, the songwriting organization made up of more than 650,000 writers, composers and music publishers, the conversation was much the same.
Drinks flowed like the Nile at New York’s Standard High Line as DJ D-Nice soundtracked a breathtaking view of the Hudson. Selfies nearly outnumbered hugs and laughs. But tones shifted to a more prideful, even stern demeanor when people spoke individually.
“We’re soldiers. We’re pioneers. We made it through a crazy couple of months, years for the world. Yet and still, music is thriving. I feel better than ever,” said ASCAP senior vice president of membership.
“Despite it all, we persevered. We made things happen.” Representing the full palette of emotions is important as well — that’s the message from production team/Grammy nominees and, are half of the collective that co-produced Bruno Mars’ “That’s What I Like.” They stress that is a part of life. “It’s such a serious time in history The music we made with Bruno is like a break from the seriousness. You need the breath,” said McCollough.
Reeves followed up, “Not everyone is gonna watch a suspense movie. You gotta throw some comedy in there sometimes. Not that this music is funny, but it releases those endorphins that make you feel good.” Shortly before returning to the stage (after Big K.R.I.T.’s performance) Black Thought was still optimistic. The world, at times, is difficult to stomach. The headlines that populate phones, websites and televisions is daunting. And also draining.
But for Black Thought, it’s easier to make change to than complain about the symptoms. The time is now. “Sometimes we take the day — today — for granted. It’ll be dope to look back a quarter-century from now to look back and say this was when the tipping point of the greatness that’s about to come began.” NYC January 26: Takeoff, Quavo and Offset attend the Migos collection launch at Bloomingdale’s 59th Street Store on January 26, 2018 Photo by Andrew Toth/Getty Images for Bravado. One doesn’t just see Harlem, New York. You feel Harlem.
You smell Harlem. You vibe with Harlem. From the backseat of a Lyft, you pass the stalwarts of the community — the Duane Reade pharmacies, the countless delis — many of which will sell you a delicious “” sandwich — if you’re hip on how to order them. Promotional posters adorn nearly every bus stop, it seems. Even as the gentrification of the Harlem becomes, the spirit of Malcolm X lives on in the creative, cultural and social melting pot where he stood as a titan on its street corners, and died as an icon.
There’s not many things more authentically Harlem than West 125th Street and Frederick Douglass Boulevard — dubbed “the cultural heartbeat of the city.” And with the Grammys back in New York for the first time since 2003, the iconic Apollo Theater hosted a luncheon in celebration. “When you do something special in New York, you feel the vibration,” said pioneering hip-hop artist said on the red carpet. “I’m glad they decided to do this at the Apollo. I am Harlem.” Also in attendance is five-time Grammy-nominated, current Grammy nominees, the Grammy-nominated and many more.
These creative professionals understand the Apollo’s place in black culture, and know about the legends who stood on the stage – not 50 feet from the red carpet. “I wish I would’ve seen Lauryn Hill. They booed her,” said singer and Power cast member Rotimi. “Then 10-15 years later seeing she’s one of the greatest of all time, that’s the ultimate story.” “Aretha,” Varner said without hesitation about who she wishes she’d seen, live at the Apollo. “Absolutely.” An Apollo institution himself, Doug E. Fresh flips the script.
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“Me and Stevie Wonder was here one night. That was crazy!” The energy was one of reverence. With celebrities and Harlem luminaries scattered through the stage and carpet, the collective perspective was one of privilege and respect.
“The best night in the Apollo was when Ice Cube first came here,” Fat Joe said from the stage. “We gotta protect this. Fire emblem wallpaper for mac. This our home.” Singers Janet Jackson, left, and Missy Elliott attend the ninth annual Essence Black Women in Music event at the Highline Ballroom on Thursday, Jan. 25, 2018, in New York. Donald Traill/Invision/AP. The vibe was old-school glamorous New York last night for the Essence 9th Annual Black Women in Music event. Missy Elliott was honored at the jam-packed Highline Ballroom, and phones were in the air as none other than Janet Jackson surprised Elliott with a truly emotional speech, and presentation of the award.
“Some rhyme, some rap, some act, some choreograph, some write hit songs, some create whole new sounds,” said Jackson. “Some women are able to make their mark in some of these fields. But there’s only one woman who has made her mark in all of these fieldsNot only have you made your mark, but she’s done so with boldness and courage.” Love & Hip Hop empresario Mona Scott-Young also spoke on behalf of her client and friend Elliott.
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The drinks were flowing as luminaries such as Grammy-nominee Rapsody, as well as the Grammy-nominated Janelle Monae, Remy Ma and T.I. Toasted Elliott’s creativity and 1990s dominance. Also enjoying the evening: Epic Records president Sylvia Rhone, Atlantic Records Chairman/COO Julie Greenwald, and BET Chairman/CEO Debra Lee. “I wouldn’t wanna be any other color but black,” Missy Elliott said, award in hand.
“There’s something about our DNA that can’t be taught, it comes from a different place.”.